The movie of recent years that I most admire is "The Free State of Jones", a reasonably accurate Hollywood rendering of a couple of counties that succeeded (or tried to) from Mississippi during the Civil War. It highlights the dark underside of the Confederacy as seen from the perspective of "poor whites": the draft, confiscation of crops in lieu of cash tax payments; also the violent dismantling of Reconstruction and the Jim Crow era. A friend finally viewed it and sent me the following:
"So, Robert, I finally saw The Free State of Jones... it's now free on Netflix.
Great dialogue (relating to the Confederate law exempting from the draft anyone who owned 20 or more slaves, and his son if they owned 40):
"It's a rich man's war and a poor man's fight." 
"Do yah think if we all chipped in and bought one negro, that we might get a couple of weeks off?"
"They came and took all my corn, I had just ground that corn."
"Don't worry, we'll get you some corn".
"But that's not the point, I grew that corn."
And it had several economic lessons that anyone can understand. "If you take our corn, we got nothing to feed our hogs, if we don't feed our hogs, we got nothing to put in our smoke house, if we got nothing to put in our smoke house, then we'll starve to death come winter. Isn't that murder?"
The movie is a very moving perspective from a common soldier's experience. It reminded me of The Red Badge of Courage, and a much later novella, A Marine at War.
"I ain't fighting for cotton, I'm fighting for honor." Shame is a powerful motivator, though one that seldom gets the results intendeds.
I can imagine the SPCA didn't like one or two scenes that much... "You know what this tastes like?... Dog"
It's a damn good story, with examples and lessons of peer group organizing, local bottom up governance, asymmetric conflict, folk leadership; the movie belongs alongside The Seven Samurai, In Dubious Battle, Robin Hood, and Lawrence of Arabia.
"You can not own a child of G-d", replied the former slave, Moses.
The shootout at the graveyard and scene in the church was powerful. That's the proper way you kill a tyrant, with a belt around the neck.
I liked the use of a broken timeline, flashing from the civil war, and reconstruction, to a trial in what looks like it took place sometime in the 1950's. It shows how history is not really distant, rather it's always with us.
The heart felt plea of Rachel, the Creole mother, who pleaded with Newton to raise their child as white, so he would be free man, is a lesson of distinction between what is legal standing, and how attitudes are shackles.
Again, damn good movie.
(The graphic is of a proposal for the design of the new $20.00 bill, featuring Harriet Tubman, a one-time slave and a conductor on the Underground Railroad, just prior to the War. Indeed, a lady you wouldn't want to mess with.)